Tag: Carnegie Hall

VIOLIN CONCERTO (2002–3)

PROGRAM NOTE My Concerto for Violin and Orchestra is a work of some 30 minutes cast in three movements. Each movement explores certain facets of the violin’s complex personality, or “soul.” The classically proportioned first movement, taken as a whole, is rather mercurial in character, ranging the gamut from the lyrical and deeply expressive to…
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FOR AN ACTOR: MONOLOGUE FOR CLARINET (1978)

PROGRAM NOTE FOR AN ACTOR: MONOLOGUE FOR CLARINET owes its inspiration in large part to the intensely personal ethos with which the clarinet is associated in my mind. To me, the instrument in its contemporary usage suggests an incredible gamut of gestures, dynamics and emotions. Accordingly, in MONOLOGUE, the player assumes the role of a…
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CONCERTO FOR ORCHESTRA (1986)

PROGRAM NOTE [This program note was written for the work’s premiere performance in 1987.] CONCERTO FOR ORCHESTRA is the latest in an ongoing series of compositions began in the mid 1970’s in which an exploration, at least on one level, of the relationship between a given work’s formal/dramatic essence and its chosen instrumentation is a…
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BALLADE for Piano (2019)

PROGRAM NOTE Ballade, a work of approximately 11 minutes, is a one-movement work, internally divided into three main parts that are played without significant break. A pianist learning the work will be greeted, at the front of the printed score, by a Note to the Performer summing up much of what I would also hope…
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SUPPLICATIONS for Chorus and Orchestra (2002)

PROGRAM NOTES SUPPLICATIONS was composed in response to a commission made in celebration of the fiftieth anniversary of the founding of the State of Israel of a work for chorus and orchestra that would center around texts from the Book of Psalms. To me, one of the striking elements in the Psalms (Tehillim), in addition…
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